{"id":617,"date":"2020-04-07T08:20:36","date_gmt":"2020-04-07T06:20:36","guid":{"rendered":"https:\/\/www.hoyesarte.com\/constelac10n\/?p=617"},"modified":"2020-04-04T20:22:45","modified_gmt":"2020-04-04T18:22:45","slug":"jon-hopkins-open-eye-signal-2013","status":"publish","type":"post","link":"https:\/\/www.hoyesarte.com\/constelac10n\/2020\/04\/07\/jon-hopkins-open-eye-signal-2013\/","title":{"rendered":"Jon Hopkins &#8211; \u00abOpen Eye Signal\u00bb (2013)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column][vc_column_text css=\u00bb.vc_custom_1586024467902{margin-bottom: 50px !important;padding-bottom: 50px !important;}\u00bb]<span style=\"font-weight: 400\">8 a\u00f1os, un infante Jon Hopkins escucha house por la radio. 12 a\u00f1os, comienza sus estudios de piano. 14, empieza a programar MIDIs en su ordenador. 17, entra en la banda indie Imogen Heap. 20, publica su primer \u00e1lbum en solitario. 25, conoce a Brian Eno. 28 colabora con Coldplay en \u00abViva la Vida\u2026\u00bb. 30, realiza su primera banda sonora. 34, lanza \u00abImmunity\u00bb (2013) donde se encuentra \u00abOpen Eye Signal\u00bb.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">La m\u00fasica electr\u00f3nica tiende a la progresi\u00f3n, a encadenar capas y hacer que crezca comp\u00e1s a comp\u00e1s el tema. \u00abOpen Eye Signal\u00bb es un crescendo electr\u00f3nico, la monumental obra de un h\u00e1bil y perfeccionista productor, que mima el detalle para que el sonido no sea plastificado o artificial. Errores calculados, esa paradoja es la que hace grande esta pieza.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Define la d\u00e9cada porque \u00abOpen Eye Signal\u00bb tiene uno de las mejores desarrollos dance de los 2010s, un trote electr\u00f3nico en el que Hopkins despliega sus armas s\u00f3nicas, sus ritmos premeditadamente imperfectos. El tema insiste en las mismas notas, pero Hopkins manipula persistentemente su cuerpo hasta alcanzar el arrebato.<\/span>[\/vc_column_text][vc_video link=\u00bbhttps:\/\/www.youtube.com\/watch?v=Q04ILDXe3QE\u00bb][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column][vc_column_text css=\u00bb.vc_custom_1586024467902{margin-bottom: 50px !important;padding-bottom: 50px !important;}\u00bb]8 a\u00f1os, un infante Jon Hopkins escucha house por la radio. 12 a\u00f1os, comienza sus estudios de piano. 14, empieza a programar MIDIs en su ordenador. 17, entra en la banda indie Imogen&#8230;<\/p>\n","protected":false},"author":5628,"featured_media":583,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29,42,18,27],"tags":[],"class_list":["post-617","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ambient","category-club","category-electronica","category-experimental"],"_links":{"self":[{"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/posts\/617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/users\/5628"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/comments?post=617"}],"version-history":[{"count":1,"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/posts\/617\/revisions"}],"predecessor-version":[{"id":625,"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/posts\/617\/revisions\/625"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/media\/583"}],"wp:attachment":[{"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/media?parent=617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/categories?post=617"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/tags?post=617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}