{"id":856,"date":"2020-06-22T20:12:05","date_gmt":"2020-06-22T18:12:05","guid":{"rendered":"https:\/\/www.hoyesarte.com\/constelac10n\/?p=856"},"modified":"2020-06-24T20:32:36","modified_gmt":"2020-06-24T18:32:36","slug":"ouri-escape-2018","status":"publish","type":"post","link":"https:\/\/www.hoyesarte.com\/constelac10n\/2020\/06\/22\/ouri-escape-2018\/","title":{"rendered":"Ouri &#8211; \u00abEscape\u00bb (2018)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column][vc_column_text css=\u00bb.vc_custom_1593022480536{margin-bottom: 50px !important;padding-bottom: 50px !important;}\u00bb]<span style=\"font-weight: 400\">Uno de los mayores sellos identitarios de los 2010s es sin duda la manipulaci\u00f3n electr\u00f3nica de la voz para utilizarla como un elemento instrumental, desde el riff de \u00abMidnight City\u00bb (2011) de M83 al estribillo de \u00abLean On\u00bb (2015) de Major Lazer, pasando por el exagerado uso del autotune en el trap, la d\u00e9cada est\u00e1 plagada de experimentaci\u00f3n con el instrumento m\u00e1s primario: la voz.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Ouri es una productora, multi-instrumentista, DJ y cantante canadiense que en 2018 public\u00f3 su EP \u00abWe Share Our Blood\u00bb, en el que se encontraba \u00abEscape\u00bb. La canci\u00f3n comienza con un ambiente de voces adulteradas para dar paso a un ritmo que estructura un R&amp;B hipn\u00f3tico, basado en el trip-hop y el post-dubstep.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Define la d\u00e9cada porque es puro sonido 2010s. Pop negro indie y experimental, sin banda tradicional de acompa\u00f1amiento sino con un laptop en el que la productora de origen franc\u00e9s y sudafricano expone sus destrezas creando atm\u00f3sferas seductoras. \u00abEscape\u00bb nos da multipistas de por d\u00f3nde van a ir los cantautores del futuro.<\/span>[\/vc_column_text][vc_video link=\u00bbhttps:\/\/www.youtube.com\/watch?v=UU75st80kAE\u00bb][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column][vc_column_text css=\u00bb.vc_custom_1593022480536{margin-bottom: 50px !important;padding-bottom: 50px !important;}\u00bb]Uno de los mayores sellos identitarios de los 2010s es sin duda la manipulaci\u00f3n electr\u00f3nica de la voz para utilizarla como un elemento instrumental, desde el riff de \u00abMidnight City\u00bb (2011) de M83&#8230;<\/p>\n","protected":false},"author":5628,"featured_media":800,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,21,17,41],"tags":[],"class_list":["post-856","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-electronica","category-indie","category-pop","category-rb"],"_links":{"self":[{"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/posts\/856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/users\/5628"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/comments?post=856"}],"version-history":[{"count":1,"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/posts\/856\/revisions"}],"predecessor-version":[{"id":863,"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/posts\/856\/revisions\/863"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/media\/800"}],"wp:attachment":[{"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/media?parent=856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/categories?post=856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hoyesarte.com\/constelac10n\/wp-json\/wp\/v2\/tags?post=856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}